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138. Ingmar Bergman’s Metaphysical Reduction, Part 3: “The Silence”

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

137. Ingmar Bergman’s Metaphysical Reduction, Part 2: “Winter Light”

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

136. Ingmar Bergman’s Metaphysical Reduction, Part 1: “Through a Glass Darkly”

  In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – Read more ›

55. Eros vs. Thanatos, Part 1: Archive Fever

Sigmund Freud, in Civilization and Its Discontents, claims, like the pre-Socratic Empedocles before him, that there are two “Heavenly Powers” or mutually opposing instincts: Eros and Thanatos. Freud characterizes these two principles as follows: eros is the instinct to conserve Read more ›