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137. Ingmar Bergman’s Metaphysical Reduction, Part 2: “Winter Light”

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In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

136. Ingmar Bergman’s Metaphysical Reduction, Part 1: “Through a Glass Darkly”

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  In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – Read more ›

132. If we are arguing should we be substance dualists?

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I have been thinking a lot about what philosophical positions might be implied by the fact that we present and evaluate arguments. Consider this argument or set of premises from which a conclusion is derived: Premise 1: All humans are Read more ›