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138. Ingmar Bergman’s Metaphysical Reduction, Part 3: The Silence

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

137. Ingmar Bergman’s Metaphysical Reduction, Part 2: Winter Light

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

136. Ingmar Bergman’s Metaphysical Reduction, Part 1: Through a Glass Darkly

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

120. Philosophy and the Sublime

Many of our efforts at self-examination presuppose at least a sense of things we don’t know. We sense our life is inadequate and take steps to acquire more knowledge to remove our ignorance. We widen our scope, gain new perspectives, and Read more ›

107. St. Gregory of Nyssa on the origins and nature of the soul

St. Gregory of Nyssa (335-394), in his work On the Soul and Resurrection (St. Vladmir’s Seminary Press, 1993), presents a very stimulating dialogue between two characters: Gregory and his sister Macrina. Through Macrina he argues that the existence of virtue Read more ›

13. Augustine on God and Eternal Truth

In his dialogue On Free Choice of the Will (Macmillan, 1964), St. Augustine (354-430 C.E.) argues that our minds can know truths that are eternal.  For Augustine, something is eternal if it exists in a timeless, unchanging state.  So eternal truths are unchanging Read more ›