In the last post we considered Thomas Hobbes’ account of how, once hedonism and egoism are embraced, love can quickly become entangled in self-defeating power relations. G.W.F. Hegel offers us another way to think about love as power based on… Read more ›
According to philosopher Thomas Hobbes (1588-1679) we are typically (1) egoists motivated out of self-interest and (2) hedonists who desire pleasure and security over all else. This means we inevitably seek love since it gives us the most intense pleasure… Read more ›
In previous posts we have seen ways in which Eros (erotic love) can imply, lead to, or be thwarted by Thanatos (death). Here is yet another example of a relation between the two. In his book The Meanings of Love… Read more ›
Soren Kierkegaard About 20 years ago I read this entry from Soren Kierkegaard, Papers and Journals (Penguin) and thought it was, well, quite silly: “The best proof of the soul’s immortality, God’s existence, etc. is really the… Read more ›
In chapter 4 of his book Civilizations and its Discontents (translation by James Strachey) Freud writes: “Before we go on to enquire from what quarter an interference might arise, this recognition of love as one of the foundations of civilization may… Read more ›
Introduction Love, for centuries, has been associated with divine powers. Of course, it is a bit more fashionable these days, and a bit more scientific, to think of love as a function of neurochemistry. But it is interesting to consider… Read more ›
Friedrich Nietzsche (1844-1900), in his book Daybreak (1881), wrote: “On Education. – I have gradually seen the light as to the most universal deficiency in our kind of cultivation and education: no one learns, no one strives after, no one… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films “Through a Glass Darkly”, “Winter Light”, and “The Silence” as a trilogy with a theme: “The theme of these three films is a ‘reduction’ –… Read more ›
Love can arrive slowly like a golden leaf of autumn, suddenly like a first snow, quietly like a spring shower, boldly like a summer storm.
It is popular these days to think about evil from a scientific perspective that sees evil as, for example, a function of an improperly working brain. Such approaches typically remove free will and the more traditional parameters in which discussions… Read more ›
Many of our efforts at self-examination presuppose at least a sense of things we don’t know. We sense our life is inadequate and take steps to acquire more knowledge to remove our ignorance. We widen our scope, gain new perspectives, and… Read more ›
What is the relation between logos (speech, reason) and eros (love)? Some say there is no relation since love is just a matter of emotions, feelings, passions, and actions. But according to Plato’s developmental vision of eros encountered in his… Read more ›
Die Fahne Hoch! Frank Stella, 1959 In previous posts we have seen ways in which Eros (love) can imply, lead to, or be thwarted by Thanatos (death). Here is yet another example of a relation between the two that… Read more ›
In Plato’s Symposium we learn that love is the desire for the continued possession of the Good (206a-b) and that the Good is ultimately eternal Being that is timeless and always “the same in every way” (208b). Thus the goal… Read more ›
Introduction Plato, in his dialogue Symposium, has his character Eryximachus present a speech in praise of love that is really a speech in praise of himself and his abilities as a doctor. As a doctor, he claims to possess… Read more ›
Judge William and Johannes the Seducer are two fictional characters created by the Danish philosopher Soren Kierkegaard (1813-1855) in his book Either/Or. The Judge, representing an ethical way of life and love, argues that love, if it is to be… Read more ›
In previous posts we have seen ways in which Eros (love) can imply, lead to, or be thwarted by Thanatos (death). Here is yet another example of a dynamic relation between the two from Alfred North Whitehead. In his book… Read more ›
In post #55 I explored, with reference to Freud, the dynamics of eros (love) and thanatos (death). Here I would like to continue these reflections with reference to Plato. In his dialogue Symposium, Plato has his character Socrates tell us… Read more ›
The late director Ingmar Bergman concluded his masterful film Cries and Whispers [1] with a diary entry by Agnes, a character who has recently passed away. The entry is spoken to us by Agnes as we see the images her… Read more ›
‘Existentialism’ is a term that usually refers to philosophies that revolve around general and fundamental notions like authentic selfhood (or lack thereof), responsibility, choice, anxiety, death, commitment, and passion. Existential philosophers usually avoid discussing impersonal issues and issues in an… Read more ›
In this three-part introduction to Soren Kierkegaard I have tried, so far, to make it clear (1) what Kierkegaard’s fundamental problem is; (2) what his solution to the problem is. We have seen that disintegrated selfhood is the problem and… Read more ›
In the first part of my overview of Soren Kierkegaard’s philosophy, I argued that his fundamental problem is the wide-spread distintegration of the self or inauthenticity. Kierkegaard’s answer to the problem of inauthenticity can be simply stated: we must develop… Read more ›
In this introduction to Soren Kierkegaard (1813-1855) I want to do three things: (1) make it clear what Kierkegaard’s fundamental problem is; (2) make it clear what his solution to the problem is; and (3) discuss the three ways of… Read more ›
To fall in love with God is the greatest of romances, to seek Him the greatest adventure, to find Him the greatest human achievement. – St. Augustine Assume, for the moment, that God exists. Can we fall in love with… Read more ›
What is the relationship between moral duty and love? Can there be a relationship? Should there be one? Let’s begin to address these questions by considering this controversial claim: Love between persons can come into existence only when moral duty… Read more ›
Sigmund Freud, in Civilization and Its Discontents, claims, like the pre-Socratic Empedocles before him, that there are two “Heavenly Powers” or mutually opposing instincts: Eros and Thanatos. Freud characterizes these two principles as follows: eros is the instinct to conserve… Read more ›
Tristan Tzara, in his Dadaist Manifesto of 1918, argued that Dadaists were out to “assassinate beauty”. But why would anyone want to assassinate beauty? In the previous post I discussed, with reference to Plato’s Symposium, Roger Scruton’s account of this… Read more ›
For centuries it was understood that if something was art then it was beautiful. However, in the 19th and 20th centuries many artists turned their backs on beauty. Here we could think of various works created within the romantic movement… Read more ›
On Christmas Eve our thoughts often turn to those who are no longer with us – especially those who we have loved. This is fitting. But it is also difficult to retain these thoughts for long. Memories can be as… Read more ›
In his book Human, All Too Human, Friedrich Nietzsche (1844-1900) has an aphorism entitled Love and Duality which reads: “What is love but understanding and rejoicing at the fact that another lives, feels, and acts in a way different from and… Read more ›
Ethical egoism is the view that people should always be motivated out of self-interest. The word ‘ethical’ here doesn’t mean good; it simply means that this form of egoism is not just describing but prescribing a course of behavior. So… Read more ›
Plato’s pupil Aristotle claimed that the “chief forms of beauty are order and symmetry and definiteness, which the mathematical sciences demonstrate in a special degree”. For many, THE chief form of beauty is the golden ratio. Two quantities are in the… Read more ›
